Notes.
68 Beatrices use of the
word "beard" sarcastically reminds the poet that he is no longer a child (see l.
74).
89 Dante faints for a third
time in the poem. In Inferno III and V, he was overwhelmed by
pathos for others' sins; now he succumbs to his own guilt.
92 Matilda (still unnamed) is the woman Dante
first saw alone. Here she walks upon the waters while plunging the pilgrim
into Lethe and towing him to the other bank.
98 Asperges me ("Wash away my
sin") is sung at Mass while the priest sprinkles holy water on the congregation.
104 The four dancing ladies are again the
cardinal virtues, while the other three (l. 110) are the theological virtues. The
reference to "stars" alludes to the stars Dante saw when he emerged from hell (Canto
I, l. 23), and later that evening (Canto VIII, l. 91).
121 The eyes of Beatrice reflect the double
nature of the griffin. This is the first of Dantes visions of the God-Man which lead
to the climax of the whole poem and journey.
128 Dante here echoes Ecclesiasticus 24:21:
"They that eat me shall yet be hungry, and they that drink me shall yet be
thirsty." |
|
-
"O you on that side of the sacred stream,"
- She
began, turning on me her speechs point
- Even
its edge had seemed too sharp for me
-
- And
then went right ahead without a respite,
- 5
"Tell, tell if this is true! To such a charge
- You
are obliged to add your own confession."
-
- My
power of speech was thrown into such confusion
- That
my voice stirred and yet was cut off short
-
Before my throat and mouth could set it free.
-
- 10
She barely paused, then said, "What are you thinking?
-
Answer me! The water of the river
- Has
not yet dimmed your mournful memories."
-
-
Confusion, mixed together with dismay,
-
Forced from my mouth a Yes, so muted that
- 15
Eyes would have had to read it on my lips.
-
- Just
as a crossbow, shot with too much tension,
- Snaps
both its bow and bowstring, and the arrow
-
Strikes at the target with a feeble force,
-
- So I
broke then beneath that heavy burden,
- 20
Pouring out a stream of tears and sighs,
- And
my voice slackened along its passageway.
-
- At
this she said, "In your desire for me
- Which
always led you on to love the Good
-
Beyond which there is nothing one can long for,
-
- 25
"What pitfalls did you find placed in your path,
- What
chains, that you had so to strip yourself
- Of
any hope of journeying ahead?
-
-
"And what allurements or advancements were
- So
obvious upon the brow of others
- 30
That you felt bound to dally at their doorsills?"
-
- After
having heaved a bitter sigh,
- I
hardly had a voice to give an answer,
- And
my lips shaped the words with difficulty.
-
-
Weeping I said, "Things of the present moment,
- 35
With their false pleasures, turned my steps aside,
- As
soon as your face was hidden from my sight."
-
- And
she: "Had you kept silent or denied
- What
you confess, your guilt would not be less
- Noted
down: It is known by such a Judge!
-
- 40
"But when the accusation of the sin
-
Bursts from ones own cheeks, within the court
- The
grindstone turns against the cutting edge.
-
-
"Still, that you may now bear the rightful shame
- For
your error, and that, another time,
- 45
Hearing the Sirens song, you may be stronger,
-
-
"Dismiss what you have sown in tears, and listen:
- So
shall you hear how in a different way
- My
buried flesh should have conducted you.
-
-
"Never in art or nature were you shown
- 50
Beauty quite like the lovely limbs in which
- I was
enclosed and which now lie strewn in dust.
-
-
"And if the highest beauty failed you so
-
Through my death, what merely mortal thing
-
Should then have drawn you to desire it?
-
- 55
"At the first arrow shot from such deceits,
-
Surely you should have flown up higher still,
-
Following me, no longer in the flesh.
-
-
"You ought not to have let some youthful girl
- Or
other novelty of brief delight
- 60
Weigh your wings down to face a further shot.
-
-
"The fledgling will wait for two or three shots,
- But
any net is spread or arrow fired
- Idly
before the eyes of the full-grown bird."
-
- As
children, when ashamed, stand dumbfounded
- 65
With eyes cast on the ground and listening,
-
Admitting to their fault and fully sorry,
-
- So
stood I. And she said, "Since you are grieved
-
Simply on hearing this, lift up your beard
- And
you will feel more grief from what you see."
-
- 70
With less resistance is the sturdy oak
-
Uprooted by the blasts out of our homeland
- Or by
the winds that blow from Libya
-
- Than
I, at her command, raised up my chin;
- And
when, by saying "beard," she meant my face,
- 75
I truly learned the venom in her speaking.
-
- And
while my face was lifted up full-length,
- My
eyes made out those first-created beings
-
Resting from their sowing of the flowers.
-
- Light
of my eyes, still partly clouded over,
- 80
Saw Beatrice then turned toward the animal
- That
is a single person with two natures.
-
-
Beneath her veil, and from beyond the stream,
- She
seemed more to outshine her former self
- Than
she outshone all others while she lived.
-
- 85
The nettle of remorse so stung me there
- That
what, among all other things, had most
-
Turned me to its love now became most hateful.
-
- Such
guilty recognition gnawed my heart
- That
I fell, overcome. What I became then
- 90
She who was the cause of it best knows.
-
- Then,
when my heart restored my outer sense,
- I saw
above me the woman I had found
-
Alone; she cried, "Hold tight to me! Hold tight!"
-
- She
plunged me in the stream up to my neck
- 95
And, pulling me behind her, passed along,
-
Lighter than a shuttle, on the water.
-
- When
I had nearly reached the sacred shore,
- I
heard "Asperges me" so sweetly sung
- That
I cannot recall, much less describe it.
-
- 100
The lovely woman opened her arms wide;
- She
clasped me by the head and dipped me under,
- So
deep that I was forced to swallow water.
-
- She
drew me out then and she led me bathed
- Into
the dance of the four shining beauties,
- 105
And each one linked her arm above my head.
-
-
"Here we are nymphs in heaven we are stars:
-
Before Beatrice was born into the world,
- We
were ordained to serve as her handmaidens.
-
-
"Well lead you to her eyes, but for the joyous
- 110
Light that is within, the three beyond,
- Who
look more deeply, will sharpen your own eyes."
-
- So
singing, they began; and then, together,
- They
led me with them to the griffins breast
- Where
Beatrice stood in front and faced toward us.
-
- 115
"See that you do not spare your gaze," they said,
-
"For we have placed you here before the emeralds
- From
which Love once propelled his shafts at you."
-
- A
thousand yearnings seething more than flames
- Held
my eyes fastened to the radiant eyes
- 120
That remained ever rooted on the griffin.
-
-
Exactly like the sunlight in a mirror,
- The
twofold animal gleamed in her eyes,
- Now
beaming with one nature, now the other.
-
-
Reader, reflect if I was struck with wonder
- 125
When I observed the object in itself
- Stand
still while its reflecting image moved.
-
- While
my soul, full of gladness and amazement,
- Was
tasting that food which, while satisfying
- Of
itself, still causes one to crave it,
-
- 130
The other three, revealing by their bearing
- That
they were of a higher rank, came forward
-
Dancing to their angelic roundelay.
-
-
"Turn, Beatrice, turn your holy eyes to him"
- (This
was their song) "who now is faithful to you
- 135
And who has come so many steps to see you!
-
-
"For grace do us the grace here to unveil
- Your
lips to him that he may there discern
- The
second beauty which you hide from him."
-
- O
splendor of the endless living light,
- 140
Who ever grew so pale beneath the shade
- Of
Parnassus, or drank its well so deeply,
-
- That
hed not seem to have his mind obstructed,
-
Trying to render you as you appeared
- Where
harmony in heaven was your shadow
-
- 145
When in the open air you raised your veil?
|